MUSIC: ANY LOUD POPULAR SONG . . . UP AND FADE FOR . . . NARRATOR: The Packard-Bell PhonOcord Players present "Hospitality House", a tragedy in one act. MUSIC: UP AND FADE FOR . . . NARRATOR: The scene of our play tonight is that glamorous night club, "Hospitality House", rendezvous of the celebrities and hiding place of business men on their nights out. There's a convention in town and the club is packed to capacity. SOUND: MURMURING OF CROWD. GLASSES AND BOTTLES CLINKING . . . HOLD IN B.G. PIERRE: I am so sorry, sir, but there isn't a table left in the house. Reservations, you know. CHARLIE: Yes, I know, but I'm Charlie Johnson-surely you can find s table for me and the little lady here. Perhaps this five-spot will help. PIERRE: So sorry, Mr. Johnson, but there isn't . . . CHARLIE: Here' s a ten. Now can you find a table? PIERRE: Well . . . there's a tiny table at the back . . . CHARLIE: I want a wood table. Maybe this twenty will refresh your memory. PIERRE: I just remembered. There's a table down front I was holding for the manager, but he won't mind. George! Show this gentleman table 221. GEORGE: O.K., boss. SUE ELLEN: Thank you so much. Yo'all are so kind. CHARLIE: (ASIDE) He should thank me for that twenty bucks! SUE ELLEN: Oh sugar, what's twenty dollars to you? GEORGE: Here's your table, boss. CHARLIE: It's right behind a post! And I paid twenty bucks for that? GEORGE: You didn't pay me nuthin', boss-yet. MUSIC: UP AND HOLD IN B.G. SUE ELLEN: Come on, sugar, let's dance. CHARLIE: All right. Waiter, order the regular dinner for two. GEORGE: Regular dinner? CHARLIE: (IMPATIENTLY) Yes, yes, the regular dinner. With all the trimmings . . . and champagne: GEORGE: O.K., boss, but you'll be sorry! SUE ELLEN: Come on, honey, here's the dance floor. CHARLIE: You sure are a good dancer, baby. SUE ELLEN: (UNENTHUIASTICALLY) Yo'all are kind to say so. But my foot hurts all of a sudden--let's go back to our table. CHARLIE: All right-the dinner is being served anyhow. SOUND: RATTLING OF DISHES, POPPING OF CORK. CHARLIE: This dinner looks like something they dug up from the sewer : CIG. GIRL: (OFF MIKE) Cigars, cigarettes, Cigars, cigarettes . . . Cigars, sir? CHARLIE: I don't smoke. SUE ELLEN: I could use some cigarettes, honey. CHARLIE: (GRUDGINGLY) All right. Give the lady a package of cigarettes. CIG. GIRL: That will be 75 cents, sir, and now would you like to have your picture taken? CHARLIE: 75 cents? That's highway robbery: And I don't want to have my picture taken. SUE ELLEN: Oh, sugar, let's do. Don't you want a picture of your little sugar-plum? CHARLIE: Oh, all right. Go ahead, CIG. GIRL: Now just hold that pose. Smile pretty: SOUND: CLICKING OF CAMERA. CIG. GIRL: All finished. That will be $35.00-in advance please. CHARLIE: $35.00: Good heavens, girl, I could have a whole movie shot for less than that. CIG. GIRL: Sorry, sir, but that's our regular price. CHARLIE: Incidentally, what time does the floor show go on? CIG. GIRL: Not for two hours, sir. CHARLIE: Two hours! By that time you' d have to carry me away to the poor house. Tell the waiter to bring the check. We're leaving. SUE ELLEN: (DISAPPOINTED) Oh, sugar, and I was having such a good time. PIERRE: (OFF MIKE) Mr. Johnson's table is right there, madam-by that post. MABEL: (OFF MIKE) Thanks. So this is your out-of-town client, Charles Johnson! I thought I'd find you here! CHARLIE: (STAMMERING) Why, Mabel, dear, what are you doing here? This is Miss-er . . . MABEL: Never mind the introductions. Did you think I was going to stay home alone? WAITER: Here is your check, boss. CHARLIE: $208.18! That's ridiculous: I don't have that much money on me. You'll have to take a check. WAITER: They only takes cash here, boss. I'll get Pierre. MABEL: Serves you right: Trying to act like a big shot in a place like this. You ought to know better at your age. PIERRE: Mr. Johnson, I am deeply grieved at the story George just told me. We don't accept checks, and if you don't have the cash . . . CHARLIE: My credit is good anywhere. Just call the bank . . . PIERRE: I'm sure you realize that no bank would be open at this hour. The only thing we can do in cases like this is . . . CHARLIE: Wash dishes, I suppose. PIERRE: Exactly, Mr. Johnson. We have a capacity crowd tonight and a shortage of help, and . . . MABEL: (LAUGHING) That's wonderful, Pierre. Maybe that will teach the old duck a lesson. CHARLIE: Now, Mabel, honey-surely you have some money with you. MABEL: Not on your life. I'm going to have a good time tonight. Your little friend and I can go in the bar-we'll have a good time, SUE ELLEN: Why, Mrs. Johnson, I think that's right nice of yo'all to invite me along. MABEL: Think nothing of it, kid. With your looks we should be able to do all right. (LAUGHS). SOUND: CUT ALL BACKGROUND SOUND. NARRATOR: The scene now changes to the kitchen, where we find Charlie and George working side by side. SOUND: DISHES RATTLING, STEAM ESCAPING. CHARLIE: I thought you were a waiter. GEORGE: I was just promoted for tonight, boss. This is my usual job -and I sort of like it. SOUND: CLOCK STRIKING THREE. CHARLIE: 3 o' clock! Just 7 more hours until the banks open and I can get some money to get out of here. GEORGE: Before you go, boss, don't forget I was your waiter tonight. People usually . . . CHARLIE: Yes, I know. You want a tip too, SOUND: DOOR OPENING. MABEL: Having a good time, dear? CHARLIE: Having a wonderful time. Wish you were here. Hospitality House-nuts! SOUND: DISHES CRASHING. MUSIC: UP TO CONCLUSION.
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